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・ Patrizio Gambirasio
・ Patrizio Hofer
・ Patrizio Oliva
・ Patrizio Parrini
・ Patrizio Prata
・ Patrizio Sala
・ Patrizio Stronati
・ Patrizio Vinciarelli
・ Patrizius Wittman
・ Patro the Epicurean
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・ Patrocinio de Biedma y la Moneda
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Patrociño Barela
・ Patrocladogram
・ Patrocles
・ Patrocles (geographer)
・ Patroclus
・ Patroclus (disambiguation)
・ Patroclus Hill
・ Patroclus of Bourges
・ Patroclus of Macedon
・ Patroclus of Troyes
・ Patrocínio
・ Patrocínio do Muriaé
・ Patrocínio Paulista
・ Patrode
・ Patroklos (Attica)


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Patrociño Barela : ウィキペディア英語版
Patrociño Barela

Patrociño Barela, also known as Patrocinio Barela or Patrocino Barela (1900–1964), was a self-taught wood carver. Because of the religious nature of his subjects he was called a santero, but he did secular work too. His work was shown at the Museum of Modern Art in New York with other artists of the Federal Art Project and he was feted as "a discovery." He was the first Mexican American artist to receive national recognition.
==Early life==
Patrociño Barela may have been was born in 1900 or 1904 as Barela was never that definite about his early life. His mother died early but whether it was when he was four or earlier is also not clear. According to one version he was found wandering in Denver. Barela did not attend school for more than a few weeks and was not able to write. He worked as a steelworker, miner and on the railway and as a farmhand. In 1930 he married a widow and eventually with her had three more children (giving them seven in total).〔(【引用サイトリンク】url=http://www.collectorsguide.com/fa/fa046.shtml )

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Patrociño Barela」の詳細全文を読む



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